We did a “clean” version in a different key, and without the riff early on, but it wasn’t sticking. Rich found me a nasty-ass guitar tone for the Les Paul Jr. and that changed everything. He again discouraged me from the overdub monster, keeping it basically power trio + backgrounds (the awesome Ms. Leslie King). After everything I orchestrated a full brass ensemble for the last verse, but Rich buried it deep in the mix. I don’t think he really believed in it, but you can hear the ghost of it if you really listen. Kudos to Rich for the great Bill Wymany swooping bass lines. This one should be fun to play live one day.

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